Catering to Your customers and your craft

featuring Tommy Halvorson, Founder and CEO of Hospitality Group

Tommy Halvorson is the Founder and CEO of Hospitality Group encompassing 4 brands: Foxtail Catering and Events, Radish (co-founder along with his COO), Tonic Beverage Catering, and Green Heart Foods. Among the brands, they currently design and produce 300+ events per year, produce and deliver nearly 10,000 meals per week with their food service management program, manage beverage service for large-scale festivals, and operate a highly regarded product line.

Here’s a glimpse of what you’ll learn:

  • How Tommy got started in the food service industry 

  • The inspiration behind his four tremendously successful brands 

  • Bringing people together through cooking

  • The team that’s helped scale his businesses with their unique areas of expertise

  • How Tommy and his team take the stress off their clients with high

  • The importance of partnerships forged by trust

  • What keeps him passionate about his craft

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In this episode… 

Food has the incredible ability to bring people together. Whether it's sharing a meal with friends, family, or strangers, the act of breaking bread creates a sense of community and fosters connections that transcend language, culture, and background. When it comes to events, the culinary experience is intertwined. Bringing people together through food is a powerful way to promote community, foster social connections, and savor an occasion. 

In this episode, Paige Buck hosts Tommy Halvorson, the Founder, and CEO of Hospitality Group to discuss the innovative design and exceptional cuisine that has earned him a reputation throughout the Bay Area, as one of the most sought-after food service providers. Tommy reveals the inspiration behind his four highly successful brands and the skilled team that has supported him in expanding his businesses with their individual areas of expertise.

Resources Mentioned in this episode

Sponsor for this episode…

This episode is brought to you by Kennedy Events.

Kennedy Events creates stress-free conferences and events, providing expert management and design for all your corporate event needs — from in-person to hybrid and virtual events.

To learn more about our services, visit our website at www.kennedyevents.com and schedule a consultation today to find out how we can guide you in making your event successful.


Transcript

​​Paige Buck  00:02

Welcome to the Kennedy Events podcast. I'm your host Paige Buck. Past guests include Pam Perez of the Chase Center, Sara Razavi of Working Solutions, and Elaine Honig of Studio 440. Today, I'm delighted to be joined by Tommy Halvorson, Founder and CEO of Hospitality Group encompassing 4 brands: Foxtail Catering and Events, Radish (co-founder along with his COO), Tonic Beverage Catering, and Green Heart Foods. Among the brands, they currently design and produce 300+ events per year, produce and deliver nearly 10,000 meals per week with their food service management program, manage beverage service for large-scale festivals, and operate a highly regarded product line.  Before we dive in today's episode is brought to you by Kennedy events, Kennedy Events produces stress-free conferences and events, providing expert management and design for all your corporate event needs from in-person to hybrid and virtual. And you can learn more about us at kennedyevents.com. Hi, Tommy, thanks for being with me today.

 

Tommy Halvorson 01:08

How's it going?

 

Paige Buck  01:09

Going great. I am so excited to talk with you because we admire your companies, and what you have built so much. And I am actually delighted to be learning this for the first time I want to hear how you got started in this industry and how you built what you now have in these four tremendous brands.

 

Tommy Halvorson01:29

All right, well, I appreciate that. First of all, we love working with you, as well.

 

Paige Buck  01:36

So there's that mutual admiration society.

 

Tommy Halvorson 01:39

Yeah, it's great. It's great. So one thing I should mention, so the fire the the Hospitality Group is called the Fire Society. It's that I did not put that in the thing, because I've always been a little embarrassed. That's what I named it in 2008 When I founded it, and I had just graduated with from Berkeley in 2000. graduate in Berkeley 2008 started the business in 2009. Part of my degree was sociology. And so I was very, like, focused on this thing. And like, Fire was the thing that was going to bring us all together through cooking. I'm not sure if it's cool or not. So I'm always kind of like sounds versus writing, you know, but it just kind of cool. So that's what it's called. Um, and that is what encompasses all those brands.

 

Paige Buck  02:22

Okay, I'm gonna bring you back to that, because I think that is so cool. And I want to invite you to embrace that. I think that's amazing.

 

Tommy Halvorson 02:32

Yeah, I wrote a manifesto and everything pretty cool, actually. I started the business in 2009 as an underground restaurant called the Phoenix Supper Club. This was all like, during  the the food truck revolution and all of this underground stuff was happening. I was working as a sous chef after I had graduated from Berkeley as a Sous Chef at a catering company, and learned all about the logistics of how to build kitchens and weird places to do, you know, really nice food out of hot boxes and on cassettes and things like that and so I just want to do something a little more interesting. And so I started doing this underground supper club, where we would bring on a to like secret locations, we would meet you at one location with a limo we bring you to the other location where we'd have like live music and nine courses. And we do it for like 20 or 25 people had no idea what I was doing, I'd never even had a nine course meal before, but that's what I was going to do because that's what they did at the laundry which I was like, thinking that that was the epitome so it was awesome. Lost a tremendous amount of money doing it because you can't make money doing that kind of thing. But we did it at a high enough level the were the guests that were there started hiring us to do catering those things I said I would never do I did immediately because I had to keep the lights on and so started doing catering. I was really dying for consistency within the business. So we got a couple like daily catering contracts with you know, some startups at the time. This is starting around 2010 when that was happening that was that started to go really well. Um, we were doing all of this as a feeding separate Club, which is really hard to sell catering services as an underground restaurant. So I rebranded in 2011 to Foxtail Catering 2012 We really started to grow like really get some good consistent business. So that's we moved into our facility that we have now which is which means that's when I rented a space and started to design a kitchen where we moved in 2013.

 

Paige Buck  04:47

So now you've been serious overhead and you have that forces you to grow more.

 

Tommy Halvorson 04:53

Yeah, yeah, I mean that was the first is funny because like we were doing, we were doing like a huge month in 2013 2012 would have been like $100,000 a month. And then we moved into the facility. And we would make like 20% of the bottom line or something I was doing like, you know, a big chunk of the work myself. And then we moved into our, our new kitchen. I remember being like, wow, that's not even enough to like, cover the basics, you know, like used to make this margin on this amount of revenue. And now it's like, I have to triple the amount to make the same amount on the bottom, you know, and that was, I mean, I kind of knew that was going to happen, but it was really terrifying when it did happen. But it also gave us our own kitchen, we moved out of a commissary moved into our own space, and it really kind of gave us like some kind of credibility, the first step of credibility. And at that same time, we diversified foxtail from the box to being a catering company. That's everything, we broke off a brand called 415 that did like the daily dining stuff. And then we acquired a brand called Living Room events. That was a high end wedding brand, because I could not break into the wedding, the high end wedding click. And so we just acquired a brand that was already there. That allowed us to kind of get into the high end weddings. And yeah, from there, it just kind of like I got a lot of great, great team members. And we just grew from that first, the kitchen we moved into was our whole world, it was like four it was 4000 square feet, had our offices, our tasting room and our kitchen. And now, because the building we moved into, we were able to expand on that and gobble up sweets on either side of us. And so now we have about 20,000 square feet, the what was our kitchen and our offices and our storage is now just our kitchen. And that's actually getting bigger, my built our offices separately, and we have always crazy warehouse storage and everything. So yeah, so when from me on a six foot table in 2009, with my now wife helping part time and my longtime collaborator, Rhonda, the you guys probably know she was also sitting on, she was also sitting with me on a milk crate in the attic space, like, you know, burning the midnight oil trying to get this going. So the three of us were like the OGs. And then in 2011, my current coo joined who he and I had actually worked together at a restaurant before in like in 2008. He just graduated from Stanford and I just graduated from Berkeley. And I was moonlighting as a line cook while I was a sous chef at this other catering company. And he and I would like have philosophical debates while we were working in this restaurant, which is pretty fun. Then he moved to New York and did some cool stuff. And then he came back and he joined and he started running the kitchen, then I started doing more of the business development. And then that's really kind of the thing. And Rhonda was like crushing all the events, and Britain was holding down all the paperwork. And so the four of us were the ones that like, really took it to the next level. And then Ali Grubb joined us in 2013. She's the one who's really taken the design element, which I think is something we're known for now, like to the next level. And they're all partners now. So

 

Paige Buck  08:12

amazing. I think, yeah, if people haven't experienced an event that you have produced or catered, and experienced your food, or remember that they've experienced your food, they would remember the beautiful visual displays and attention to the visual experience as much as you would like be likely to comment on the quality of the food, it's something new, at least Yeah, we're in the region.

 

Tommy Halvorson 08:39

Yeah, we were really, really excited about that it took a while for us to kind of figure out, like how we would differentiate ourselves from everybody else. Because once you get to a certain level within catering, like we can all do the same thing. Like there's like, probably five companies at the top, maybe even 10 I'm not sure but we'll just say five. And if you hire any one of these companies to do your event, they're all going to do a good job, like full stop. You know, most of them have been been doing events as long as I've been alive, which I think is hysterical. But also mad respect, because it's not easy. And so we're like, okay, so if we're looking at proposals from all of us, and everybody knows we're all going to do a good job, how do we separate ourselves and we just, you know, it's for us, it's the design our food is spectacular are we have we spent a lot of time with our on site staff like doing training and all this. But events are very visual. And you know, the food stations that we build and, and the aesthetic that we either tie into or the one that we create is a big deal. And that's really that's like we're we're pretty excited and proud about what we're able to do with with that.

 

Paige Buck  09:46

Yeah, I think I think of it whenever we've worked together as you're like a huge add on if there if there's a very strong visual theme already or a stated event theme, then You're, you're like the keystone of it, especially because everyone experiences the food and often like the the bar or the food station is at this at the heart of the event. Or if it's banquet, then certainly it's a significant part of the experience. So I am curious among like, those years of growth and struggle and midnight oil over the milk crate, what are some of your proudest moments or, or projects that you've gotten to build?

 

Tommy Halvorson 10:34

Um, well, the so from the underground side of things, this was like the first kind of thing that came to mind. I used to be like, really involved in all of the events and all the food and I wanted to like, you know, do some designing stuff and all that and people that are better at it than me, that are part of the team now. But the last event that I was really part of was this that I was really like, was mine. In 2012, it was right before we moved into our kitchen as early 2013. And we did this event to underground. And it was a color spectrum. And basically, like design this, so the menu, like every course was a different color. But it wasn't like, I'm going to put yellow food dye in this and make it yellow, or I'm going to use something out of season, because I need it for this color. Like I didn't do any of that I just did it properly. And so every course was like a was like a color through the spectrum, which was great. But the space itself, also changed color with every course that came out. So we did this whole like cool light thing that was happening. So it would like transition through and we have it was like paired with music, we had a DJ. And then we have this, like, when we got to the black course like everything, like went black. And then it kind of came back up with like a live performance that was like super cool. Um, and it just the way it came together was exactly the way that I wanted it to. And I was like, really stoked on that this is the decade ago, yeah, I'd be really interested to see what we would be able to do now with like, all the skills that we have, and resources because we had, like, not near the resources that we do now. Or the knowledge. So that is, you know, that was that was my like, for me personally for the business. Um, there's a couple actually that are that really stand out on the event side of things. There have been so many events over the last 10 years I've been really excited about, but I think that the one that I'm the most psyched on right now is actually one that we did in December for a few reasons. One, it was for a headcount of initially 5000 people, but it dropped, you know, as things have post COVID. So I think it wound up being like North, a little north of four little South before was a big, big event. And we got, we got brought in by a production company. And there were like 17 different food stations or something like that, yeah, um, plus the bars. And we designed like, we the like the the event itself had a theme. And we were tasked with, you know, not only pairing the menu to the theme, but also doing the station designed to match the theme through the bars and all that and all the food stations and I was out on maternity leave, like we I had a week old baby in my arms at this point. So I had nothing to do with this event at all, except knowing that it was happening. And my team just shattered it. Like just, I would usually drop a bunch of F bombs right now. But they just and like the stations that they designed, the Ally was in charge of an executed because sometimes you're it's like fashion over function, which is something that makes irritates me. But like that was really put together really well. And it was really it was really next level, what was accomplished and client was super happy, the production company super happy, the end client was super happy. And it was just done at like the highest level. You know, it's like, these are the events that in like, 2013 I was like, how do we get those kinds of events, you know, and now here we are not only getting them, but doing them on a really, really high level. And that was really exciting to see. Especially because I didn't have to be there.

 

Paige Buck  14:20

Right? Either. They can do it without you.

 

Tommy Halvorson 14:23

Yeah, I mean, they've been doing it without me for a while and but just like, not even physically being having to be present, like in the pre production meetings and making sure the details are covered, or did you think about this, or did you think about that? Or did you think about you know, it's like all of that stuff was covered? We had like 200 staff on site, they broke it down the way that I wanted it that I would have had them break it down if I was the one in charge of it, you know, the team just really really well really did a really good job on that. And so that was really exciting. An incredible

 

Paige Buck  14:53

moment and what a lovely like Pinnacle after, you know, two years of slogging through it. At least

 

Tommy Halvorson 15:01

Yeah, I mean, that's the thing too, because like, we we tried really hard to keep the team intact. Our company has about 6065 full time employees now, which is about what it had pre pandemic. Yeah, in there. I mean, this is this is, from our, I mean, full time benefited, you know, yeah, 40 hours a week, you know, jobs that cooks to our, in our dishwashers, and our planners and warehouse and like all of that. And, you know, during the pandemic, that we were about that size before. And, you know, we had to, we had to at least have work, but we really tried to kept about 15 people on full time. And the work that they did help generate enough work for us to get some of our hourly folks back in. And so we generated, I want to say, like, 30, or 40,000 hours of work during the pandemic, like literally putting stuff in boxes, um, because we moved into this whole like, shipping thing with you guys. And you

 

Paige Buck  16:00

were filling a desperate need for something everybody wanted in virtual events that were incredibly hard to execute on.

 

Tommy Halvorson 16:09

Yeah, yeah. And my team did that, like, you know, my wife and I were, like, buried in, you know, the financials, and the paperwork of getting all the grants and all that kind of stuff to keep things going. And we, and then obviously, I was like keeping the team intact, you're doing bi weekly, or we're doing two meetings a week, just team meetings, just to like, keep everybody, you know, yeah, cohesive. And meanwhile, our team was developing this whole box game, which we have lots of conversation, lots of fights about. But a lot of work. And it really served a really good purpose. You know, to get to get work for our team. And so when we actually had work that when I started to come back last April, we were able to get back 90% of the people that we that we had to let go. And now in some of these people are, you know, been with us from like, not always, not the beginning, but some of them were with us in the commissary. So to get that them back in, and then every, you know, we were able to, you know, adjust compensation so that it's really good for everybody. And I think that's really, we heard a lot about companies in the beginning when work was coming back, like really, really struggling with staffing, and we just didn't, because we just are, we had our team, you know, and that's getting through this last December, with, you know, my wife and I out, it has a lot to do it has everything to do with the people that are there. So um, you know, that's that's why it's, I guess this pinnacle is huge event, everybody came together, crushed it, you know, it's not just the designers, it's not just the planners, it's, it's not just the onsite staff. It's it's the warehouse, and it's the cooks and the kitchens, everybody is super rad. You've

 

Paige Buck  17:53

been talking I've been reminded of a feeling I've long held about caterer is that it's like, logistically, you have the skills to make something happen to like, build something, execute, problem solve for it, in a way I would only trust like a like a SEAL team or some like military execution is. And then at the same time, as you were describing your, how you were building your business, I was thinking there must be something about a chef that is like a musician where you also have that mathematicians mind of like, how, like how to make the numbers work to bring something together, even if you have to adjust and adapt over time. But you and I were talking before we were rolling about wishing that folks perceived caterers and food and beverage the way they do other trusted service providers. And what it would mean to be and what like what some of your clients, it might mean to be a trusted resource. And so like, tell me a little bit about your, like, your dream for these brands and what how you want your clients to come to think of foxtail and the other and the other brand the the broader fire society. Right. Your your man? Yeah. Yeah.

 

Tommy Halvorson 19:15

I mean, um, yeah, I mean, it's so challenging because like, you, at the end of the day, we're contractors, right? Like, that's what we are, we have resources, you hire us to do a job, we do the job, and then that's the end of job. And when you start to grow a catering company, like it's really hard to predict how much business you're going to be doing. You're, you don't know if you're going to be doing none or if you're going to be have too much come in and you're going to try to overreach and you're going to mess up, you know, like it's it's really hard to kind of like balance that. And so what we've tried to do is build consistency, which is the thing that I've been focused like singularly focused on like from literally the beginning because you can't To invest in infrastructure, you can't invest in people you can't invest in training, you can't you, it's really hard to do if you don't know how much business you're going to do. And so we you know, what my ideal would be to would be for the people that hire as the company's Iris look at us and look at the the, the depth of resources that we bring to the table. And not just an also do, but like a fully fleshed out program that we have, we've got the fully fleshed out events program with foxtail, that super high level, we have the fully fleshed out corporate cafeteria management program with radish, we have the fully fleshed out beverage program. And then we also have green heart, which is a really cool retail brand. But it's all of these resources that we have, that are all executed at a really high level. And it's like, look at what we can do. Now if we can just get to a place where we don't have to, like, bid on every single little thing that you've got coming on. And we can just establish like a partnership, where we trust each other. And that can help us predict more about what kind of business we're going to be doing over the next year. Like if if we know that this company has like six events that we're going to do with them over the course of the next year, then we can put a pin in it, put the resources there, know that it's there, you know, be able to know that that revenue is happening, you know, know what kind of resources we're going to need and allocate them to that specific thing. And it's, it would be so much more proactive than like the reactive nature of this industry of like we're doing an event it used to be in three months. Now it's in three weeks, can you pull this together? You know, and it's like, yeah, but man, wouldn't it be great if we could have just, you know, if we knew this, if this was on a calendar, and we it was predicted, you know, I mean, we're, we're trying to establish these relationships with with places who have like an 18 month calendar, so at least we know, like something is happening and not, not maybe specifically what, on the on the event side of things. So that it's like, you can stop chewing your nails and wondering what's going to happen. You know, it used to be the case that will pre pandemic, we were like we knew, like next quarter kind of what was going to happen. And even in early 2020, our December for 2020 was booked Now granted, all that went away. But that was the same. Yeah, that was pretty exciting to be like, we're 10 months out from December and like it's locked down, you know, that was awesome. Or like 80%, you know, um, so if we could just have relationships that were more proactive and less like, we need we need, you know, you to bid on this against three other people to make sure pricing stays aligned with Can we just, can we just trust that this is just what it is? And yes, we're going to make money. It's going to happen because we're business have to, but we're but it's going to be fair. It's all explainable. That'd be awesome. You know, I mean, one of the ways that we've combated that is with our, you know, the kind of go back to when the other questions you'd ask, which is, you know, your most exciting moments in our raddish brand, like, this is the way that we have helped build a platform underneath the events program, because that that's a consistent, those are contract based those it's consistent work.

 

Paige Buck  23:21

It's for current revenue coming in every month at a consistent rate. Yeah,

 

Tommy Halvorson 23:26

yeah. On a on an annual basis, right. So like, a lot of them are year long contracts that you're going to be doing this for this duration of time. And then there's cancellation clauses, but you've got like 90 days to plan so your your staff, you can try and reallocate, you know, it's not just, you know, it's it makes sense. Yes, business should

 

Paige Buck  23:45

be but and then you think, what was I thinking, getting into a business? As you're saying this? I'm like, why am I running a business that is project based, because that's what gets me out of bed in the morning. But then the business challenge of a project based thing that has a beginning, middle and dammit and end? Is has unique challenges. But

 

Tommy Halvorson 24:05

yeah, yeah, you have to have a massive amount of infrastructure to be able to achieve those the type of to do the type of projects that you want to do and that you're getting, you know, so

 

Paige Buck  24:13

there's like, business dream of like, oh, wouldn't that be less pressure, less stress, more ability to forecast and feel confident in the bottom line? And then there's the like, relationship base, like, the relationships have, like ears and space when your client conversations are? How are we going to do this not? And what are we going to do at this time? Instead of are we going to do this? What

 

Tommy Halvorson 24:41

are we? Yeah, the RV is hard, it'd be better about what are we doing as opposed to are we doing this? You know, it's, I get it like other companies have their own challenges and all that kind of thing, but like it would just make things easier for everybody if it was a little bit more predictable, you know, and once again, like we just we have such depth of things that we do. It's like, once we get in, it's like, why would you ever hire anyone else? You know,

 

Paige Buck  25:06

dream is the dream is, anytime I think of a business food need, or I'm anticipating a new event in our portfolio. I'm calling you. I know who's doing this, I'm calling you. And I have that on my calendar. It's it's a no brainer. We're calling foxtail. We're booking out booking them out for everything that's on our calendar. And it's a beautiful dream. And it's a a Sharon, for you. And for us and others in our position, I think, yeah.

 

25:41

Yeah. I mean, that would be beautiful. I mean, it'd be great. Because we could, we can say, one, you would trust it. We, if we said we could do it, that we would do it really well. And if if we can't do it, then we refer you to somebody who could, you know, that would be the that'd be the thing. Right? You know, that would be the, that would be the thing, because it's about that trust, because, you know, you get in those places to where and I mentioned that sometimes the the draw to do more than what you can actually do, because you don't know when the next event is going to come in. You have to fight that. You know, I mean, it's it's a compromise with the team, like what can we do? We don't know what's happening next month. But this is all happening this month. So we have to stack this month so that way we can know that we're you know, I mean, there's there's just a little bird

 

Paige Buck  26:24

in hand that doesn't look that great, because you need to fill the coffers, you need to keep the team busy.

 

26:31

Yeah, yeah, it's yes, it's a thing, you know, but um, but it's cool. I mean, obviously, I've been doing it now for 13 years. Wait 14 years will be when 14 years this August. Yeah, though. It's a long time with our own company. And then before that, actually went to catering for like, 10 months before I started my own company, that we didn't have a lot of experience. But I was in restaurants before and actually grew up in restaurants. So food is foods is what I've been in my whole life. Yeah, as it turns out.

 

Paige Buck  27:04

When I think about the counterpoint, or like, the selling point for this trust, is that it's like a it's a salve. It's a it's an antidote to stress. Like, when this is an incredibly stressful industry, our clients come to us and whether they're saying it in the moment or not, they're under a lot of pressure. Because an event is like a little tiny time capsule that you have to create and have a really big impact in a pretty short period of time, whether that's like a two day conference or a two hour experience. The the trust is the antidote to all that stress that comes with a new project. So it's when when you know, you can deliver that. It's really, really powerful for your clients. Yeah.

 

27:53

And that's it, that's the thing. I mean, you have to understand like promo like, like, we get it. Like, if you're putting on an event, if you're hiring us as Kennedy and someone's hired you to do your thing, or if it's a client, like a company hiring us directly, it's like, we got to make you look good. You know, like, you got to you got to make whoever hired you look good, and we got to make you look good. Like, it's, it's a big trusting thing. And in a lot of these things, there's like millions of dollars being spent. And it's not a, um, you know, for the whole show, not like our part of it, but for the whole, the whole animal and it's like, with catering, like, if you don't have experience working with caterers, or or knowing what you want, it's terrifying. You know, because catering can be so many things, like the things that you see in the movies that are like huge, big, beautiful galleries and all of this and that, like, that's what you want, but you hire somebody that brings you cube cheese on a platter, you know, because that's also catering, you know, it's like it can be it's a pretty scary thing to dip your toe into, you know, so

 

Paige Buck  28:55

that there's a lot of ways to interpret get because of that, because Catering is a word that can conjure such a broad thing from like, the little box, I will probably eat on the plane tomorrow, you know, or a platter you pick up at Safeway, to something that a lot of people will never get to experience. But that is so many, many more things than that.

 

29:20

Yeah, this is why we have so many brands, because that's the thing is like, we wanted to try to like, you know, we, I was like, Look, if we're doing office catering, we're doing events catering, like what's the likelihood that someone is going to look at their office caterer or doing their catering for you know, 20 bucks a person and you're going to give them a you know, a deed number or arbitrary but a $200 per person holiday party. These numbers don't exist, by the way any more add zeros, probably right. Um, but it's like so we have they're both catering but they're not looking at us the right way. And vice versa. If we're doing a huge event, what's the likelihood that they're going to look at us and say, Can you do our in house Meal Program, which is a business you know, that consistent business that we like, that's So that's why we broke those things apart.

 

Paige Buck  30:01

And, yeah, they

 

30:03

have different operations in different marketing, different brands and all that, because they're, you know, they're just, they're different. They can see each other, but they're just different, you know, people's perception of what of what it is, is different. So, and that's worked, you know, I mean, it's been, it's been, it's been good.

 

Paige Buck  30:21

When you reminded me that like, this is this is the industry or food service is the industry you grew up in. You come from a family of chefs and restaurateurs. And you like, as we think about this, in the last couple of minutes we have together I'm curious, what keeps you passionate about this work?

 

Tommy Halvorson 30:43

Well, there's a couple of things. So and let me clarify, I come from a family of really good home cooks and my family owned fast food restaurants, which they sell food, but, you know, it's it's a business, you know, so that's another

 

Paige Buck  30:57

craft, it makes me think of the bear, which I'm sure you probably get a lot of people asking you, I imagine that's like too close to home for you to enjoy.

 

Tommy Halvorson 31:07

No, it's nice. It's real, though. Like, I feel like that show was really good. Because it gave a pretty a pretty good insight into that. It felt real, you know, I mean, I've had moments like what that person was having, you know, I mean, that was a really good show. So effort. Yeah, yeah, the effort is tremendous in the, in the, the desire to hold standards is really is really something you know, so to answer your question, like, what, what keeps me going within this, and it's been something that I've been in my whole life in one way or another. Um, first of all, I never really intended to be in food. That's, you know, I just kind of like, I after high school, I moved to Colorado, we, we, I grew up in Kentucky, but we had lived in Colorado for a while and I was, I'm just gonna say to incredibly talented skier, like state champion skier when I was in like, fourth third grade. And so we kept our place in Colorado. So we I got to ski like three days a year through high school and go to Canada and all this. And when I, when I graduated high school, I went right back to Colorado, and was a competitive skier for four years and achieved everything I wanted to achieve before I like got sick, I didn't get seriously injured. And so that's why I quit, like, Okay, I'm not hurt, did what I want to do. I'm out of here. I went back home, and I was like, What the hell am i How am I going to get what's college needs to happen? Like, how am I going to, you know, and I just wound up cooking a big dinner for my family that night. And they were like, you know, maybe you should think about getting into restaurants, or going to culinary school. So, but one of my friends was like, You're gonna do that you should go work in a restaurant first, and see if this is interesting. And so I did. And I wound up working on my hometown Paducah, Kentucky had this program called the artist relocation program. And basically, it's a river town, there's a whole bunch of super cool like Victorian mansions that are like downtown that had all fallen into disrepair over decades. And so the city bought them all. And then would sold them to artists from all over the country for $1. And then gave them like low interest loans to rehabilitate them with the But the caveat was, you had to have it be a working art gallery. So he was sick, brought all these super cool people in rehab, all this stuff. And I want to working one of those that were there. It was an art gallery. And the husband was an artist, the wife, Chef, who I'm still in contact with insists like 20 years later. So I want to work in there. And literally the first night that I worked, worked in there with him on the line. I was like, This doesn't feel like work. You know, this, this feels incredible. It's just foods beautiful. Like I knew nothing about food, you know, really, and it's like, she's a real chef. And it was just awesome. You know, it's like, this doesn't feel like work. This feels awesome. Because I was like expediting and I was like in charge, which I like being apparently and probably stay. You're like, yeah, it was, it was crazy. Plus, you're you're like you're learning about something. With food, you're learning, you're learning a skill that you can, like, perfect. And the thing is, is that never goes away. You know, like it never goes away. So for me it like never goes away. You know, over the years, working in different restaurants and starting a business and doing food for 5000 people like things change, but like at the end of the day, like I did, um, I don't actually go cook at events very often anymore. I've done it maybe three times in last year, but I went and did this really, really high end dinner for a CEO of a really big tech company. And it was me and in three other cooks. And it was only for like 12 people in the you know, I was using like this wagyu that we'd gotten it was like proper, like, when I was when I portioned it. It was like cutting through like just a big piece of fat. It was like crazy. But when I was Planning and cooking. I was like getting, you know, I was just like, I was like a little kid bouncing around, like having a great time putting this beautiful food together, making sure all the staff like got to taste because this wagyu was like, something that it was like $200 a pound for us, which means in a restaurant, it would be something I can't even begin. It's like something by the absence, something most people never get to experience. And I'm like, I'm some like, it's awesome, you know, so. So that, that that like it just that like joy, it still just kind of exists, you know, through all of the the NAR of building a business up this big and being in food, which is gnarly, you know? But there's just that joy, and it's there. And I get it when I cook at home. And that's just what it is.

 

Paige Buck  35:48

What a beautiful answer. It's, I think you're so those of us who can really say we're doing what we love are so incredibly fortunate. We can't even imagine, even even on the gnarly and the stressful times. What it's like to actually not have that at the center of everything. And so what a great answer. I love it. Thank you.

 

Tommy Halvorson 36:10

That's pretty cool. Yeah, it's pretty cool. Um, that's it, definitely. But for those people out there that like, I'm going to do what I love. There are days when it's sucks. Like it sucks, you know, that's always that there are highs and lows. You know, it's never it's not beautiful every day.

 

Paige Buck  36:27

It's not every day. Well, we should wrap up so that you can go to something beautiful every day, which is your new baby. Again, well, it's been a pleasure talking with you. I've been talking with Tommy Halverson, CEO and founder of can we say fire society hospitality? Yeah. Yes. Good. I think embrace it. It's great. It's a beautiful thing. Thank you so much, Tommy.

 

Tommy Halvorson 36:52

Yeah, thanks, Paige. Good talking to you.


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PAIGE BUCK

Paige Buck is the co-owner of Kennedy Events, a large-scale event management company based in San Francisco, Los Angeles, and New York City. Our team creates stress-free conferences and events with a positive impact, which allows our clients to resonate with their audience. Kennedy Events specializes in producing flawless product launches, award ceremonies, fundraisers, and multi-day conferences while keeping our eye on retention and engagement goals.

 

About Kennedy Events

Kennedy Events began with one goal in mind—to produce high-level corporate events with just as much strategy as style. Maggie founded the company in 2000, found her match in Paige, and in 2011 the two became official partners. Since then, these two resourceful and brilliant creatives have pooled their strengths to build one one of the most the most sought after corporate event companies in San Francisco, New York, and Los Angeles.


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Paige Buck

Paige Buck is the co-owner of Kennedy Events, a large-scale event management company based in San Francisco, Los Angeles, and New York City. Our team creates stress-free conferences and events with a positive impact, which allows our clients to resonate with their audience. Kennedy Events specializes in producing flawless product launches, award ceremonies, fundraisers, and multi-day conferences while keeping our eye on retention and engagement goals.

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